胡琴四重奏 Huqin Quartet

黃正彥 - 客途秋恨

胡琴家族的演奏法容易模仿人聲。這首重新編曲作品在經典地水南音曲目《客

途秋恨》阮兆輝版本前段和後段的演唱旋律上，加添對位、和聲和引子段落，

彌補沒有唱辭之餘，同時為文本增添音樂的色彩。

Wong Ching-yin Justin - Song of the Exile

Huqin family’s performance techniques allows easy imitation of human voice.

This rearranged work used the Yuen Siu-fai version of Song of the Exile as a

blueprint to develop harmony and counterpoint and extended an introduction.

I hope the music can reflect the mood of the text and compensate for the lack

of sung text.

黃學揚 - 新野蜂飛舞

《野蜂飛舞》是俄國作曲家裏姆斯基‧科薩科夫所作歌劇《薩旦王的故事》第三幕第一場中，由管弦樂演奏的插曲。此曲生動地表達出大黃蜂振翅疾飛的情景，原曲譜上記有「從海面的遠方，飛來一只大黃蜂，圍繞到天鵝的四周，盤旋飛舞。」《新野蜂飛舞》的意念來自二胡演奏家張重雪，她提議將陳耀星、陳軍的《新賽馬》樂曲段落結合在《野蜂飛舞》之中，為樂曲注入剛勁有力的元素。持續飛快的十六分音符以及耀目的半音階技巧，力求讓胡琴重奏的演奏散發無比光彩。

Wong Hok-yeung Alfred - New Flight of the Bumblebee

The Flight of the Bumblebee is an orchestral interlude from the opera The Tale of Tsar Saltan, by Nickolai Rimsky-Korsakov. It appears in Act III, Tableau 1, and according to the description on the original score, the scene is like this: “A bee appears on the sea far off, then flies to the Swan-Bird and dances round it.” The idea of New Flight of the Bumblebee came from the erhu virtuoso Zhang Chongxue, who suggested that I should combine passages from Horse Race - New Version by Chen Yaoxing and Chen Jun with Rimsky-Korsakov‟s Bumblebee to pack more action to the scene. With the extremely fast semi quavers and the bravura chromatic techniques, the huqin ensemble would really dazzle the audience in the performance.

何俊東 - 二泉映月

《二泉映月》是傑出民間音樂家華彥鈞（阿炳）的代表作。阿炳 35 歲時（1928年）雙目失明， 淪落為街頭賣藝為生的民間藝人，受盡欺凌，飽嚐苦難社會的艱辛。《二泉映月》是阿炳心 靈的寫照，阿炳稱它為《依心曲》。1950年夏天，著名音樂理論家楊蔭瀏、曹安和為阿炳演 奏錄音之後，楊提議以無錫惠泉山腳下的名勝古蹟「二泉」為曲名，經磋商並徵得阿炳同意 定名為《二泉映月》。

Ho Chun-tung Tony -  Reflection of the Moon on the Water

The original piece is the most representative work of Hua Yanjun, also known as ‘A Bing’. He lost his eyesight when he was thirty-five (in 1928) and was eventually reduced to becoming a street musician. He experienced great injustice and all the hardship in low life and was much bullied. Reflection of the Moon on the Water is a picture of Hua’s mind, and the composer calls it The Tune of the Heart. In the summer of 1950, Yang Yinliu and Cao Anhe, two famous musicologists, recorded Hua’s performance of the work. They suggested that the piece be named after the ancient springs at the bottom of Huiquan Mountain in Wuxi. Hua agreed and the work has since been known as Reflection of the Moon on the Water.

何俊東 - 查爾達斯

《查爾達斯》原是意大利作曲家蒙蒂創作的小提琴名曲，靈感來自匈牙利的同名民間舞蹈。作品結構明顯地分為兩部分：緩慢、帶有憂傷的「拉蘇」開篇，接著進入熱烈歡騰的「弗里斯」，展現了濃厚的匈牙利和吉普賽音樂風格。這首曲目以旋律流暢、節奏多變著稱，既考驗演奏者的技巧，也深受聽眾喜愛。

Ho Chun-tung Tony - Csárdás

Csárdás, composed by Italian composer Vittorio Monti, is a celebrated violin masterpiece inspired by the Hungarian folk dance of the same name. The piece features two distinct sections: the slow and melancholic "Lassú" introduction, transitioning into the lively and exuberant "Friss" finale. Renowned for its expressive melodies and dynamic rhythms, it showcases the rich influences of Hungarian and Gypsy musical traditions.